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What Gobetti did understand about fascism before most of the intellectuals involved in the campaign for a new, improved Italy did, was that fascism, neither would nor could lead towards the kind of renewal they desired. Gobetti saw clearly that fascism could never offer that which he held most dear: namely, self-emancipation, self-regulation, and autonomy…It was, in fact, His realization that fascism was antithetical to any vestige of self-emancipation that gave him and his thinking a precise direction and identity. Everything that Gobetti stood and argues for is resolutely and thoroughly antifascist. The intransigence of his stance is the greatest strength of his antifascism, but it is also one of its greatest limitations.-From Piero Gobetti’s New World

Piero Gobetti (1901-1926) was one of twentieth-century Lily’s most innovative political thinkers. A noted intellectual, radical liberal, and antifascist, he founded two cultural reviews that attracted the attention of many Kahan intellectuals of the time, including Benedetto Croce and Giovanni Gentile. However; Gobetti and his editorial activities also quickly drew the attention of the fascist regime, resulting in the banning of his publications, and in his persecution, physical beating, and death in exile.

Piero Gobetti’s New World is an introduction to Gobetti’s thought on the intellectual’s role in Italian cultural renewal. It is also an in-depth study of the three main questions on which his writings focus: the relationship between Italian history and fascism, the nature of a genuine antifascist political culture, and the crisis of Italian liberalism in his day. While providing important historical and cultural context, David Ward follows Gobetti’s attempts to carve out an oppositional role for the liberal intellectual during the fascist regime. Ward suggests that the eighteenth-century Piedmont patriot Vittorio Alfieri was Gobetli’s greatest source of inspiration, especially in regard to his own writing practice. Gobetti, Ward argues played a pivotal role in Italian intellectual life of the time. He was above all a persuader and propagator of ideas, militant antifascist intellectual who sought to form and reform hearts and minds, and to this end his writing was his most effective resource

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  • 作者: Ward, David
  • 原文出版社:Univ of Toronto Pr
  • 出版日期:2010/04/24
  • 語言:英文

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http://www.books.com.tw/exep/assp.php/vip–af000073515/products/F012063642

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2015年06月07日 19:00

記者林奕如/台北報導

張鈞甯在《武媚娘傳奇》飾演心機女徐慧,挑戰反派角色太出色,網路上罵聲不斷,人氣也瞬間爆紅,中視、中天熱播的劇情中,她即將和武媚娘(范冰冰飾演)正式攤牌,從溫柔婉約的模樣一秒變臉,轉變之大讓她自己也忍不住說:「我怎麼那麼壞!」

▲▼張鈞甯《武媚娘傳奇》飾演反派徐慧,一秒變臉讓網友稱讚演技大爆發。(圖/中天提供)

張鈞甯劇中飾演徐慧,原本進宮時天真善良,但後來面對友情和愛情的考驗,逐漸演變成,心狠手辣的心機女,更多次陷害閨蜜武媚娘(范冰冰),但計謀即將被揭穿,和范冰冰對質時,臉上表情悲喜交加,但下一秒馬上變臉,網友大讚演技爆發。她當初也在微博留言,透露自己心境:「不忍直視今晚大攤牌的場面,徐姐姐心裡還是在意媚娘的。當初姐妹情愛的多深,這股心中被背叛的痛就有多深,轉為利刃,反過來造成傷害。」

▲張鈞甯首度飾演反派爆紅,劇中有亮眼演出。(圖/中天提供)

張鈞甯因戲人氣大旺,事業再攀高峰,隨即推出和張翰合作古裝劇《少年四大名捕》,日前則宣布加入電影《大轟炸》,將與國際知名演員布魯斯威利、宋承憲等人同台合作;她也因此戲和范冰冰結為好友,日前一起赴西藏出席公益活動,更在第一時間祝福范冰冰跟李晨的戀情,不少人表示「劇裡戲外2人都是閨蜜。」

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